Sermon Tone Analysis
Overall tone of the sermon
This automated analysis scores the text on the likely presence of emotional, language, and social tones. There are no right or wrong scores; this is just an indication of tones readers or listeners may pick up from the text.
A score of 0.5 or higher indicates the tone is likely present.
Emotion Tone
Anger
0.08UNLIKELY
Disgust
0.06UNLIKELY
Fear
0.12UNLIKELY
Joy
0.56LIKELY
Sadness
0.58LIKELY
Language Tone
Analytical
0.71LIKELY
Confident
0UNLIKELY
Tentative
0.03UNLIKELY
Social Tone
Openness
0.89LIKELY
Conscientiousness
0.56LIKELY
Extraversion
0.32UNLIKELY
Agreeableness
0.7LIKELY
Emotional Range
0.54LIKELY
Tone of specific sentences
Tones
Emotion
Language
Social Tendencies
Anger
< .5
.5 - .6
.6 - .7
.7 - .8
.8 - .9
> .9
Introduction
Psalm 88 is an embarrassment to conventional faith.
It is the cry of a believer (who sounds like Job) whose life has gone awry, who desperately seeks contact with Yahweh, but who is unable to evoke a response from God.
This is indeed “the dark night of the soul,” when the troubled person must be and must stay in the darkness of abandonment, utterly alone.
How Many of you have felt this way?
Where the Dark Night of the soul is all there seems to be.
Psalm 88
Ceaseless Prayer
The verses are dominated by this desperate speech: “I cry … my prayer … my cry.”
“I call upon thee … I spread out my hands.”
“I … cry to thee … my prayer comes before thee.”
This three-fold cry (vv.
1–2, 9b, 13) forms the structure of the psalm.
Normally, when Israel cries, Yahweh hears and answers (cf.
Exod.
2:23–35; Ps. 107:6, 13, 19, 28).
It is anticipated that a time will come when the answer will precede the cry (Isa.
65:24).
But not yet, not here.
God will not answer here.
This Psalm lives in a place where there are no answers.
The Psalm may make us wonder why God is silent, but that is not the interest of this psalm.
Only that He is.
As YHWH is silent it brings the author to a place of never-ending Prayer.
Perhaps the speaker is, in fact, speaking to the empty sky, but that does not deter the speaker.
The faith of Israel is like that.
The failure of God to respond does not lead to atheism or doubt in God or rejection of God.
It leads to a more intense address.
This psalm, like the faith of Israel, is utterly contained in the notion that Yahweh is there and must be addressed.
Yahweh must be addressed, even if Yahweh never answers.
This is the faith of a true Jew or a True Christian.
God’s silence does not mean God’s Absence.
The Holocaust stands a prime example of God’s apparent absence.
Yet, Elie Wiesel has observed that it is not possible for a serious Jew not to believe in God, but it is possible to “believe against God.”
That is surely what is happening in this psalm.
Such a faith, in light of the cross and in light of the Holocaust, makes the rejection of God because of God’s absence seem trite.
The idea that God doesn’t exist is far from the mind of the author but anger that is all too real.
Ceaseless Troubles
Reference to “the Pit” and to “Sheol.”
This is the voice of a dying one crying out to the only source of life.
“The Pit” is not final judgment or fiery place of punishment.
It is only beyond the range of communion.
For this speaker, communion with God is clearly everything.
The notion of “cutting off” is expressed in verse 5 with three metaphors and a fourth climactic line: “dead … grave … remember no more … cut off.”
And as his anger grows at God’s Silence he blames God for his troubles.
The speaker is utterly helpless.
The fault is firmly fixed.
In Job-like fashion, the speaker may hope that the urgency of the speech will drive God to speak but it doesn’t only silence ensues.
Each Selah an invitation to end the silence but none comes so the Psalm continues alone.
Darkness My Friend
William Styron, in Sophie’s Choice, has Stingo on his sad way by bus from Washington to New York to bury his two close friends who have committed suicide.
As Stingo gets on the bus, he is visibly bereft, without any resource.
On the bus a black woman next to him sees his need and offers her best gift to him.
She lines out Psalm 88.
The words comfort.
They may be the only words that could comfort.
Easy words could not have comforted.
But this psalm could, because the words assert, against all the facts, a tenuous link between the darkness and the Lord of life.
Psalm 88 stands as a mark of realism for biblical faith.
There are situations in which easy, cheap talk of resolution must be avoided.
Here are words not to be used frequently, but for the limit experiences when words must be honest and not claim too much.
This is difficult for us as Christians we want cheap easy answers.
We want simple solutions.
We may know that it isn’t true but we like health and wealth.
Because we know that God is with us always and we have this warped notion that if he loves me than nothing bad will ever happen to me.
Why would a good God allow bad things to happen to Good people?
This warped reality which is contrary to what the Bible teaches as truth is easier for us to hang on too.
This isn’t what the cross shows us.
Psalm 88 shows us what the cross is about: faithfulness in scenes of complete abandonment.
Walter Brueggemann
We know there is hope.
God exists and He hears.
That is a given throughout the Psalm but the silence gives us pause.
Next Steps
Are you in a time of Silence of God?
Time of depression when no words will help?
Offer no cheap platitudes (all guilty at times because we don’t know what to say).
Only Hope is God is there.
Do you serve a god that is too small to be doubted or questioned?
—Bibliography--
Witthoff, David, Kristopher A. Lyle, and Matt Nerdahl.
Psalms Form and Structure.
Edited by Eli Evans.
Bellingham, WA: Faithlife, 2014.
Peter L. Berger and Thomas Luckmann.
The Social Construction of Reality.
Garden City, N.Y.: Doubleday and Co., 1966.
Brueggemann, Walter.
“Psalms and the Life of Faith: A Suggested Typology of Function,” JSOT 17 (1980):3–32.
Harris, W. Hall, III, Elliot Ritzema, Rick Brannan, Douglas Mangum, John Dunham, Jeffrey A. Reimer, and Micah Wierenga, eds.
The Lexham English Bible.
Bellingham, WA: Lexham Press, 2012.
Singerman, Barbara, Beyond Surrender.
Hannibal Books, 2003
George Benson.
Then Joy Breaks Through.
New York: Seabury Press, 1972.
Warstler, Kevin R. “Psalms.”
Pages 908–9 in CSB Study Bible: Notes.
Edited by Edwin A. Blum and Trevin Wax.
Nashville, TN: Holman Bible Publishers, 2017.
< .5
.5 - .6
.6 - .7
.7 - .8
.8 - .9
> .9