Sermon Tone Analysis

Overall tone of the sermon

This automated analysis scores the text on the likely presence of emotional, language, and social tones. There are no right or wrong scores; this is just an indication of tones readers or listeners may pick up from the text.
A score of 0.5 or higher indicates the tone is likely present.
Emotion Tone
Anger
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Disgust
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Fear
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Joy
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Sadness
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Language Tone
Analytical
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Confident
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Tentative
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Social Tone
Openness
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Conscientiousness
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Extraversion
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Agreeableness
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Emotional Range
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Tone of specific sentences

Tones
Emotion
Anger
Disgust
Fear
Joy
Sadness
Language
Analytical
Confident
Tentative
Social Tendencies
Openness
Conscientiousness
Extraversion
Agreeableness
Emotional Range
Anger
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*Church Attendance*
 
*Eight Reasons*
Frances Ridley Havergal, British hymnist who wrote such classics as “Like a River Glorious,” once made a list for herself of eight reasons for going to church, even on rainy days:
1.     God has blessed the Lord’s Day, making no exceptions for stormy days.
2.     I expect my minister to be there.
I’d be surprised if he stayed at home for the weather.
3.     I might lose out on the prayers and the sermon that would have done me great good.
4.     For any important business, rain doesn’t keep me home; and church attendance is, in God’s sight, very important.
5.     Bad weather reveals on what foundation my faith is built; it will prove how much I love Christ.
True love rarely fails to keep an appointment.
6.
Those who stay at home from church because it’s rainy frequently miss on fair Sundays, too.
I must not take one step in that direction.
7.     The Bible contains a special promise that where two or three meet together in Christ’s name, He will be in the midst of them.
8.     I don’t know how many more Sundays God may give me, and it would be poor preparation for my first Sunday in Heaven to have slighted my last Sunday on earth.~*
[1]
 
\\ ----
~* Clipping from my files.
[1]Morgan, Robert J.: /Nelson's Complete Book of Stories, Illustrations, and Quotes/.
electronic ed.
Nashville : Thomas Nelson Publishers, 2000, S. 126
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