Sermon Tone Analysis

Overall tone of the sermon

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Anger
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Introduction:
A. Septuagint entitles it as “The Book of Lamentations of Jeremiah”
B. Chapters 1, 2, and 4 are acrostic.
C. Chapter 3 is 66 verses with each 3rd verse being an acrostic.
Some acrostic poems begin each succeeding line with the next letter of the alphabet.
For example, chapter 1 consists of 22 one-verse sentences.
Therefore 1:1 starts with a word that begins with aleph, 1:2 uses a word that begins with beth, and so forth through the 22 letters of the Hebrew alphabet.
Other acrostic poems open a segment with aleph and then begin each succeeding segment with the succeeding letter of the alphabet.
Only the first word in a stanza exhibits the acrostic pattern.
For example, chapters 1 and 2 feature 22 three-line verses, for a total of 66 lines.
The first word in 1:1, 2:1, and 4:1 begins with an aleph; the first word in 1:2, 2:2, and 4:2 begins with beth; and so forth.
There are variations on that second type.
For example, chapter 4 follows the same procedure as chapters 1 and 2, except that each segment is two lines long, for a total of 44 lines.
Still other acrostic poems have stanzas of three lines each that begin with the same letter of the alphabet.
Thus, chapter 3 has 66 lines, like chapters 1 and 2. But each line in 3:1–3 begins with aleph; 3:4–6 has each line begin with beth; and so forth.
The composition of acrostics requires great skill.
Meter.
Lamentations often utilizes qinah meter, a type used in some passages that mourn the dead (e.g., Isaiah 14; Ezekiel 27).
This rhythm is based on lines of two unequal parts.
The first part normally consists of three words and the second part usually includes two words.
This pattern creates three accents, then two, thereby creating a falling, rising, and falling cadence.
In this way the poems seem to “limp,” as if the reader is walking haltingly along behind a funeral procession.
Basic movement.
The acrostic forms noted above convey the book’s movement from Jerusalem’s protest concerning what she has suffered (1:1–22) to her penitent turning to God again (5:1–22).
Chapters 1–2 relate Jerusalem’s horrible defeat at the hands of Babylon.
People, property, opportunity, and hope have been lost.
A narrator and a prophetic voice encourage Jerusalem to turn to God.
Jerusalem prays, but almost solely in protest.
These chapters are the least acrostic of all the poems, and they portray the least movement toward God.
D. The first word of the book in Hebrew is “Ekah” (How?) Also see 2:1 and 4:1.
E. This book is an explanation of the sins that led to the exile.
A. A Widowed City (chap.
1).
B. A Broken People (chap.
2).
C. A Suffering Prophet (chap.
3).
D. A Ruined Kingdom (chap.
4).
E. A Penitent Nation (chap.
5).
OUTLINE
I. First Dirge: Jerusalem’s Desolation because of Her Sin (chap. 1)
A. Jeremiah’s lament over Jerusalem’s desolation (1:1–11)
B. Jerusalem’s plea for mercy (1:12–22)
II.
Second Dirge: God’s Punishment of Jerusalem’s Sin (chap.
2)
A. God’s anger (2:1–10)
B. Jeremiah’s grief (2:11–19)
C. Jerusalem’s plea (2:20–22)
III.
Third Dirge: Jeremiah’s Response (chap.
3)
A. Jeremiah’s afflictions (3:1–18)
B. Jeremiah’s hope (3:19–40)
C. Jeremiah’s prayer (3:41–66)
IV.
Fourth Dirge: The Lord’s Anger (chap.
4)
A. Contrast before and after the siege (4:1–11)
B. Causes for the siege (4:12–20)
C.
Call for vindication (4:21–22)
V. Fifth Dirge: The Remnant’s Response (chap.
5)
A. The remnant’s prayer for remembrance (5:1–18)
B. The remnant’s prayer for restoration (5:19–22)
OUTLINE
THE PROVOCATION AGAINST GOD (1)
THE PUNISHMENT FROM GOD (2)
THE SORROWFUL PROPHET OF GOD (3)
THE SUFFERING PEOPLE OF GOD (4)
THE PRAYER TO GOD (5)
Outline
I. Grief after the destruction of Jerusalem 1:1–22
II.
Personal suffering after the destruction of Jerusalem 2:1–22
III.
Hope in the face of adversity 3:1–66
IV.
The pain of the destruction of Jerusalem 4:1–22
V. Remembering that God still reigns 5:1–22
INTRODUCTION: THE MEANING AND PURPOSE OF LAMENTATIONS
1.
The name of the book
2. Its place in the Canon
3. Forms and types
4. The time and place of composition
5. Authorship
SONG I: THE DESOLATION OF ZION
Part I (vv.
1–11)
Part II (vv.
12–22)
SONG II: THE WRATH OF GOD
Part I (vv.
1–10)
Part II (vv.
11–22)
SONG III: THE DAWN OF HOPE
Part I (vv.
1–24)
Part II (vv.
25–51)
Part III (vv.
52–66)
SONG IV: THE JUDGMENT
Part I (vv.
1–11)
Part II (vv.
12–16)
Part III (vv.
17–22)
SONG V: A CORPORATE PRAYER
Part I (vv.
1–18)
Part II (vv.
19–22)
Outline
• The desolation of Jerusalem (Lam 1:1–22)
• God’s judgment on Jerusalem (Lam 2:1–22)
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