Sermon Tone Analysis

Overall tone of the sermon

This automated analysis scores the text on the likely presence of emotional, language, and social tones. There are no right or wrong scores; this is just an indication of tones readers or listeners may pick up from the text.
A score of 0.5 or higher indicates the tone is likely present.
Emotion Tone
Anger
0.18UNLIKELY
Disgust
0.12UNLIKELY
Fear
0.11UNLIKELY
Joy
0.55LIKELY
Sadness
0.23UNLIKELY
Language Tone
Analytical
0.12UNLIKELY
Confident
0UNLIKELY
Tentative
0.41UNLIKELY
Social Tone
Openness
0.84LIKELY
Conscientiousness
0.73LIKELY
Extraversion
0.08UNLIKELY
Agreeableness
0.58LIKELY
Emotional Range
0.67LIKELY

Tone of specific sentences

Tones
Emotion
Anger
Disgust
Fear
Joy
Sadness
Language
Analytical
Confident
Tentative
Social Tendencies
Openness
Conscientiousness
Extraversion
Agreeableness
Emotional Range
Anger
< .5
.5 - .6
.6 - .7
.7 - .8
.8 - .9
> .9
! The Hands of the Potter
 
Jeremiah 18:6
 
*18* /This is the word that came to Jeremiah from the Lord: //2// //“Go down to the potter’s house, and there I will give you my message.”
//3// //So I went down to the potter’s house, and I saw him working at the wheel.
////4// //But the pot he was shaping from the clay was marred in his hands; so the potter formed it into another pot, shaping it as seemed best to him./
/5// //Then the word of the Lord came to me: //6// //“O house of Israel, can I not do with you as this potter does?” declares the Lord.
/*/“Like clay in the hand of the potter, so are you in my hand, O house of Israel.
/**//*/7// //If at any time I announce that a nation or kingdom is to be uprooted, torn down and destroyed, //8// //and if that nation I warned repents of its evil, then I will relent and not inflict on it the disaster I had planned.
//9// //And if at another time I announce that a nation or kingdom is to be built up and planted, //10// //and if it does evil in my sight and does not obey me, then I will reconsider the good I had intended to do for it./
Of the many books in the Bible the prophecy of Jeremiah is especially interesting.
Jeremiah was a prophet who wrote things down – sometimes many times as when his documents were shredded by a critical king.
But Jeremiah is also interesting because of the ways in which God spoke to him.

Jeremiah was a prophet who was always learning from observing.
God would often say to him: “What do you see, Jeremiah?” and Jeremiah would describe what he saw and learn from God a deep spiritual lesson.
Against the background of siege and inevitable defeat at the hands of the Babylonians Jeremiah is constant in his ministry.
God sends him to observe the potter as he works in his shop.
I would like to suggest to you this morning – at the commencement of a new year that God has the power and the desire to make improvements in our lives.
I suggest to you three headings
Þ   Learning from the skills of others – God a Master Craftsman
Þ   Clay – material that is likely to fail
Þ   Being willing to let God handle our lives
/ /
!
Learning from the skills of others:  God the Master Craftsman.
When I was at bible college, in the days when the college was in Marylebone Road there was a village feel about Marylebone and nearby there was a workshop where surgical instruments were made.
Often in a lunch time I would go and watch as chunks of stainless steel were beaten into the delicate refined shapes of clamps and forceps.
The craftsman would have a prototype beside him on a piece of soft leather – and from time to time he would compare what he held in his hand and on his anvil with what the finished article was to be.
I believe it is one of the marks of the Divine Image in us that we are creative.
So Jeremiah watching a potter – at the place of technology – learns how God can graciously transform those who surrender to His will.
(a)            This is an ESSENTIAL WORK
 
As Paul will mention elsewhere – there are pots that are made for display and for the sacred functions of worship – and there are pots made for the ordinary and everyday.
19 One of you will say to me: “Then why does God still blame us?
For who resists his will?” 20 But who are you, O man, to talk back to God? “Shall what is formed say to him who formed it, ‘Why did you make me like this?’ ” 21 Does not the potter have the right to make out of the same lump of clay some pottery for noble purposes and some for common use?
Romans 9 19-21
 
*/Some for noble purposes and some for common use…/*
 
I have no doubt that most of what Jeremiah saw was ceramic technology of a humbler kind.
The handiwork of the potter is still essential – and so of course is the Handiwork of God.
 
10 For we are God’s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.
Ephesians 2 10
 
(b)            This is a sensitive work
 
As Jeremiah watched he realised that the fingers that moulded the clay detected the minute irregularities and blemishes in the clay.
If you have visited the potteries you will be familiar with the sale of “seconds” and to an untrained eye the mistakes are of no significance.
But the Divine Potter knows the imperfections as they are in His hands – in need not of discarding – but reworking.
F.B.
Meyer tells how Wilberforce had his portrait painted by a famous painter who told him about his own father:
 
Herkomer was born in the Black Forest, his father a simple wood-chopper.
When the artist rose to name and fame in London, and built his studio at Bushey, his first thought was to have the old man come and spend the rest of his years with him.
He came, and was very fond of moulding clay.
All day he made things out of clay, but as the years passed he thought his hand would lose its cunning.
He often went upstairs at night to his room with the sad heart of an old man who thinks his best days are gone by.
Herkomer's quick eye of love detected this, and when his father was safe asleep his gifted son would come down­stairs and take in hand the pieces of clay which his old father had left, with the evidences of defeat and failure; and with his own wonderful touch he would make them as fair as they could be made by human hand.
When the old man came down in the morn­ing, and took up the work he had left all spoiled the night before, and held it up before the light, he would say, rubbing his hands: “I can do it as well as ever I did.”
(c )   It is a work that bore His mark
 
Perhaps not so much in Jeremiah’s day – but potters of distinction leave a mark on their produce to show they are proud of it.
The potter made it “as is seemed best to Him”
 
The works of God – especially His spiritual work with us is like that:
 
Essential   Sensitive  Distinctive
 
! 2.  Clay - Subject to failure     v4
 
/I saw him working at the wheel.
//4// //But the pot he was shaping from the clay was marred in his hands;/
 
God delights to take unlikely material and transform it.
He has been doing this since the garden of Eden!
 
Clay has become proverbial for its inherent weakness
 
And the Bible has a lot to say about clay!
 
 
Feet of clay                                as in Daniel’s statue
Earthen vessels                  as in 2 Cor 4 7
 
Clay is easily mis-shapen
 
*“the pot was marred in his hands”*
 
Like common clay we too are subject to failure – we disappoint ourselves and it is likely we disappoint our Lord!
From what Jeremiah goes on to say about Judah the marks of such failure are clear:
 
a.
A disregard for God’s law
b.
An unjustified confidence in religious practice without real spirituality
c.
A misplaced confidence in past spiritual victories
d.
An unwillingness to listen to God’s word – especially when its message was unpopular \\ \\
In the end judgement came for the nation and Jerusalem fell and the exile began.
No – we don’t have to look far in our own spiritual lives for evidence of WEAKNESS and FAILURE
 
We are just clay
 
But that clay CAN BE IN THE HANDS OF THE POTTER HIMSELF.
/4// //But the pot he was shaping from the clay was marred in his hands; so the potter formed it into another pot, shaping it as seemed best to him./
/5// //Then the word of the Lord came to me: //6// //“O house of Israel, can I not do with you as this potter does?” declares the Lord.
*“Like clay in the hand of the potter, so are you in my hand, O house of Israel.
*/*//*
 
! 3.  Being willing to let God handle our lives
 
/the pot he was shaping from the clay was marred in his hands; so the potter formed it into another pot, shaping it as seemed best to him./
/…..// *“Like clay in the hand of the potter, so are you in my hand, O house of Israel.
*/*//*
 
Then Jeremiah continues to listen as God lays down the conditions for His transforming work.
*//*7 If at any time I announce that a nation or kingdom is to be uprooted, torn down and destroyed, 8 and *if that nation I warned repents* of its evil, then I will relent and not inflict on it the disaster I had planned.
9 And if at another time I announce that a nation or kingdom is to be built up and planted, 10 and *if it does* evil in my sight and does *not obey me*, then I will reconsider the good I had intended to do for it.
There is a sense in which God has us in His hands already – we are subject to His sovereign power
 
The RIGHT to shape us
The POWER to shape us
The DESIRE to remake us
 
But there is another sense in which – unlike clay – we are stubborn and unyielding and refuse to listen to what God says.
Jeremiah’s prophecy and his lesson at the pottery was a lesson tied to the NATION of Judah – and what happened to Judah historically is evidence that they would not allow Him to reshape them willingly – and therefore came judgement and destruction.
What applied to the nation applies to us INDIVIDUALLY
 
V 8   if they repent .. I will relent
 
V 10  if they do not obey  … I will judge.
*END HERE*
 
F.
< .5
.5 - .6
.6 - .7
.7 - .8
.8 - .9
> .9